The years between the mid-15th century and the early 18th century proved to be a time of many changes and developments in the world of typography. The development of the printing press influenced the development of full typefaces and their production rather than the job-specific approach that most typography was developed for. Nicholas Jenson was responsible for the development of the first full roman typeface, which was based on humanistic characteristics and was highly legible. Aldus Manutius proved influential in the world of printing and production while his punch cutter Francesco Griffo developed the first italic as a handwritten style designed to conserve space so that the books Manutius published could take a smaller form.
The Italian Renaissance of roman typography influenced the French which led to a period in which many developments occurred in both typography and printing. The push towards a higher quality of printing was led by several printers including Robert Estienne, Simone de Colines and Geofroy Tory. Apprenticing for de Colines and Estienne, Claude Garamond learned the trade of punch cutting and printing. After Estienne died, Garamond became the first to produce and sell typefaces to other printers. His style of type design moved even further from the style of calligraphy and his type designs were further developed by Jean Jannon who produced a set of roman and italics which were mistakenly attributed as Garamond's all the way into the 20th century because of their resemblance.
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